Photographed on a Wanvela Trip trip
The cameras Wanvela photographers use
Wanvela has 4 photographers, all on Sony mirrorless systems for lightness, sharp lens range, and low-light performance.
- Main body · Sony A7R V (61 megapixel), for landscape, group portrait
- Secondary body · Sony A9 III (24 megapixel, 120fps), for candid moments, running kids
Marco, our Italy specialist, carries a Leica SL3 as a third camera for formal dinners (silent shutter, less intrusive).
Lenses - the everyday rotation
- 16-35mm f/2.8 GM, landscape, hotel interiors, groups
- 24-70mm f/2.8 GM, daily workhorse, 80% of frames
- 70-200mm f/2.8 GM, portrait compression, distant subject
- 85mm f/1.4 GM, formal portrait, low light
- 14mm f/1.8 GM, astrophotography (aurora, milky way)
Accessories
- Profoto B10X, portable strobe for formal portrait
- 3-stop ND filter, for wide aperture in daylight
- Polarizing filter, for sea, sky
- Carbon fiber tripod (Sirui T-024SK), for aurora, long exposure
- L-bracket, quick switch between portrait/landscape orientation
Storage and backup
Not losing images is the top priority, Wanvela photographers run three levels of redundancy:
- Card 1 in slot A of the camera
- Card 2 in slot B (simultaneous write)
- Daily backup to 2 external SSDs (Samsung T7 Shield)
- Cloud upload (LumaFusion) when hotel WiFi allows
4–6 TB of files across a 7-day trip, everything mirrored to the Bangkok HQ before the trip ends.
"The best photos I take are ones the client never knew I was taking, the real moment, not a pose."
- Marco, Wanvela photographer, 4 years
How a Wanvela photographer thinks
The brief every photographer gets before a trip:
- "The client paid you to be here, make the photos worth the price."
- "But don't make them feel like subjects, make them feel like friends."
- "Unposed photos are the best photos."
- "One formal family portrait per trip, pick the best day."
- "Camera goes down at aperitivo, it's a mental break."
A day in the life
Marco on an Italy trip, day three in Tuscany:
- 5:30 am, scan weather, scout sunrise location
- 6:15 am, out into the vineyard before sunrise for landscape
- 8–9 am, breakfast at Banfi, casual photos of clients (50–80 shots)
- 10 am–1 pm, Brunello tasting + cooking class (300–400 shots)
- 1–3 pm, long lunch, Marco eats with the family, camera nearby (100 shots)
- 3–5 pm, truffle hunt with Donatella + Lagotto dogs (500–800 shots, kids with dogs)
- 5–7 pm, Pienza cheese tasting (200 shots)
- 7:30–10 pm, dinner, Marco shoots only key moments (50 shots)
- 10 pm–12 am, backup, cull, color preset, sleep
Day total: 1,200–1,800 shots → cut down to 80 in the final album sequence.
Album delivery
After returning to Bangkok, Marco takes 9–12 days on the album:
- Day 1–2 · cull 8,000–15,000 shots → 600 candidates
- Day 3–5 · color grade 600 shots in Capture One
- Day 6–7 · final selection 180–260 shots
- Day 8 · layout in Pic-Time gallery
- Day 9–10 · 30–60 second video reel
- Day 11–13 · client review + revisions
- Day 14 · final delivery
His best photos
Marco, the photos he's most proud of:
- An 8-year-old with the Lagotto dog Pepe, on Donatella's farm
- K. Pim's parents celebrating their 25th anniversary on the Le Sirenuse balcony at sunset
- A 72-year-old grandmother in traditional Thai dress standing in Versailles' Hall of Mirrors
Read how the 2-host model works.
By CAN, Founder & Curator · Wanvela
Published · Updated